The Persistence of Vision from mustardcuffins on Vimeo.
Brooks Barnes in The New York Times:
PARK CITY, Utah — The starkest picture to emerge from the opening days of this year’s Sundance Film Festival may be of an independent film business forced to stretch in untested directions because its old distribution model no longer works. Standard operating procedure over the years at Sundance, the cinematic bazaar now under way in this resort town, has been simple: show your film and hope it plays well enough to attract a theatrical distributor or, if the movie is particularly small and arty, a video-on-demand deal.
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From The Documentary Blog:
This is it. The end of the lists. Finally! So the other day I posted the best documentaries of the decade as selected by a group of acclaimed documentary filmmakers. Now, we’ve got The Documentary Blog’s own top 50 docs of the decade.
More here.
Naeem Sadiq in The News:
In Karachi, on the other hand, there is not a single bicycle path. Nor is there a plan to make one. The 2020 Karachi Strategic Development Plan has billions earmarked for roads, flyovers and underpasses, but not a penny for the construction of bicycle paths. It seems the city is stuck on the “signal-free corridor” concept of development aimed at serving a small minority, those who drive gas-guzzling vehicles, with no consideration for ordinary citizens.
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Roger Ebert in Chicago Sun-Times:
Some of the best documentaries of 2009 hardly seemed to exist. “What’s the matter with Kansas,” based on a best-seller, is still awaiting its fifth vote at IMDb. “The Beaches of Agnes,” a luminous film by the New Wave pioneer Agnes Varda, grossed $127,605.
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Jamie Oliver’s TED Prize wish: Teach every child about food
More about Jamie Oliver here.